髹漆之深度
—2015年中外髹漆藝術(shù)教學(xué)研究展
The Depth of Lacquer
—2015 Chinese and Foreign Lacquer Art Exchange and Research Exhibition
展覽主題
Exhibition Theme
髹漆作為一種古老的工藝，在中華文明的發(fā)展進程中曾扮演著不可或缺的角色。今天，藝術(shù)日趨多元，思潮此起彼伏，觀念的創(chuàng)新和樣式的變換愈發(fā)頻繁，髹漆藝術(shù)亦經(jīng)歷了自身的蛻變，漸漸形成當代髹漆藝術(shù)的面貌，在中國，原本屬于工藝范疇的漆器工藝，在當代漆藝家的實踐下，成就了以藝術(shù)創(chuàng)作為目標的髹漆藝術(shù)，并得到學(xué)界的廣泛關(guān)注，同樣的情形也發(fā)生在近鄰日本和歐洲法國，東方與西方正在以各自的傳統(tǒng)詮釋著漆藝這一古老的藝術(shù)，并以各自的方式探索漆藝的外延。
As a culture heritage, lacquer has played an indispensable role in the development process of Chinese civilization. Today, with the increasingly diverse art and a variety of thoughts, there have been increasingly frequent innovation of concepts and changing of styles, and lacquer art has also experienced its own transformation, gradually forming the contemporary lacquer coating art. In China, the original lacquer craft has become an art aiming at artistic creation under the practice of the contemporary lacquer artists and has gained the extensive concern in the academic circles. The same situation has also happened in the neighboring country Japan and France. Both the eastern and western nations are interpreting the ancient lacquer art with their respective traditions and are exploring in their own ways to develop and extend the art.
李倫《玄黑》2011年 76X196cm 材料：漆，灰，金箔，銀箔
今天，作為一門獨立的藝術(shù)，髹漆不應(yīng)僅僅局限于裝飾、實用或繪畫，不應(yīng)僅僅作為附著于物的表皮，亦有作為一種藝術(shù)創(chuàng)作的媒材而被漆藝家們廣泛的運用、研究的必要。髹漆藝術(shù)的關(guān)鍵是對漆之原點的關(guān)注，即剝?nèi)テ涔に嚺c實用的外衣，尋找并確立其賴以表達的語言。在這一點上，強調(diào)漆的媒材，游走于二維與三維之間，把內(nèi)心的情思融合在對材質(zhì)個性的詮釋當中，通過對這一古老媒材的研判，挖掘其中的視覺性，從而演繹出非髹漆而不可表述的意義，乃是髤漆藝術(shù)之所以為髹漆藝術(shù)的根據(jù)之所在，也是東、西方獨立的髹漆藝術(shù)家建立自身語境的基石。
Today, as an independent art, lacquer should not be used only for the decoration and paintings as covering on objects. But also should be used necessarily for the extensive practice and research by the lacquer artists. The key to lacquer art is the concern about its origin. That is to strip off its covering as a technology and practical craft, and to find and establish its expressive language, based on which, emphasizing the medium of lacquer, transforming between two dimension and three dimension, combining the inner emotions with the interpretation of the materials’ features, finding out the sense of vision through study and judge of the ancient materials, so as to express the significance of lacquer art that it is not only the basis of the art but also the foundation for the eastern and western lacquer artists to establish their own language environment.
唐明修《地衣之氣》2015年 65x65x35cm 脫胎 材料：大漆、灰、麻
本展覽將邀請廣州美術(shù)學(xué)院李倫先生、中國美術(shù)學(xué)院唐明修先生、清華美術(shù)學(xué)院程向君先生、日本東京藝術(shù)大學(xué)三田村有純先生和法國ENSAAMA學(xué)院伊莎貝拉女士共同舉辦展覽，借此展示五大院校漆藝家的研究成果，促成交流，以此揭示漆藝在當下的價值。并將邀請國內(nèi)外著名學(xué)者、藝術(shù)批評家參加研討，研究髹漆藝術(shù)“母語”的構(gòu)成方式與風(fēng)格成因。
Mr. Li Lun from Guangzhou Academy of Fine Arts, Mr. Tang Mingxiu from China Academy of Arts, Mr. Cheng Xiangjun from Tsinghua University Academy of Fine Arts, Mr. Arizumi Mitamura from Tokyo University of the Arts, and Ms. Isabella Emmerique from Ecole Olivier de Serres(ENSAAMA) will be invited to jointly hold the exhibition, thus to demonstrate the research achievements of these lacquer artists from the five colleges and universities,and to facilitate communication, so as to reveal the current value of lacquer art. Also, the domestic and foreign well-known scholars and art critics are invited to attend to the seminars and to study the methods and causes of the formation of the lacquer art.
程向君《西部的蘇醒》2015年 92x140cm 材料：漆、灰、麻布
此次主題展，將以五位漆藝家各自的漆之語言作為開端，關(guān)注他們獨特的創(chuàng)作歷程，并以五大院校的教學(xué)的思路、系統(tǒng)、精神為軸心，向髹漆藝術(shù)外延探索，以呈現(xiàn)漆藝無限的可能性。除主題展之外，同時設(shè)有教學(xué)平行展，由五大院校的學(xué)生優(yōu)秀作品組成，并通過他們的作品，全面地介紹、展示漆藝在不同文化背景、語境下產(chǎn)生的教學(xué)體系，這將有益于全球范圍學(xué)院漆藝教學(xué)的交流與研究。
Beginning with the respective language of lacquer of the five artists, this theme exhibition will focus on their unique creation process and explore the extension of lacquer art at the core of the teaching ideas, systems and spirit of these five colleges and universities, thus to present the infinite possibilities of lacquer art. In addition to the theme exhibition, there will also be a parallel exhibition about teaching, consisting of outstanding works from students in the five colleges and universities, through which, comprehensively introducing and showing the lacquer art’s teaching system formed under different cultural backgrounds and language environments, which will also be beneficial to the exchange and study of the lacquer art teaching all around the world.
三田村有純《浩浩天空》2015年 50.5x60x18cm 材料：漆、木、金粉、貝、珍珠
我們希望，此次展覽將作為一個平等的展示、交流、研究平臺，呈現(xiàn)一場髹漆藝術(shù)的盛會，成為一場對漆藝這一古老藝術(shù)新生的檢閱。
We really hope that this exhibition will be an equal platform for demonstration, exchange and researches, and will present a grand lacquer art event to inspect this newborn and ancient art of lacquer.
——策展人 楊小彥
——Curator Yang Xiaoyan
伊莎貝拉《Wave》 2013年 100x30cm 材料：歐洲漆
展覽地點：
廣州市番禺區(qū)大學(xué)城外環(huán)西路168號
廣州美術(shù)學(xué)院大學(xué)城美術(shù)館1-4展廳
展覽開幕：
2015年12月16日15:00
研討會：
12月16日16:00
展期：
12月16日至12月30日，逢周一閉館
開館時間10:00—18:00
誠邀您的出席
策展人：
楊小彥
學(xué)術(shù)主持：
胡 斌
參展藝術(shù)家：
三田村有純、伊莎貝拉、 程向君
唐明修、李 倫
特邀專家：
大西長利、田中信行、小椋范彥
Thibauld MAZIRE、喬十光
周劍石、楊佩璋、簡錦斯、馮曉娜
蔡克振、卓德輝、陳勤群、付以舟
主辦單位：
廣州美術(shù)學(xué)院
閩公網(wǎng)安備 350520302001781號
